Showing posts with label Theatre Critic. Show all posts
Showing posts with label Theatre Critic. Show all posts

Monday, 15 March 2010

Theatre Etiquette



Look its me! And my awesome friend Phil

Or at least I think that's how you spell etiquette; the interwebs doesn't seem to know either. So why is this my topic of the day? Well it may have something to do with that I'm sleep deprived, grumpy and suffering from post show blues. Or it might be to do with what happened on Friday.


The finale of Batboy- my first show

For those very few of you who read my blog but aren't part of my daily life I feel the need to fill you with what's been happening for the last couple of months (and my excuse for not posting regularly!). I've just finished a week of performances in Hair for Imperial MTSoc-it was amazing! I've never felt that sort of intense, trippy atmosphere in any musical I've been in. It was hard work but so worth it especially for me as I planted the seed of doing Hair over a year ago so I feel like things have come full circle not just with doing the show but within my musical theatre life at Imperial. My first show here was Batboy, I was 18, young, didn't really know what I was doing, somehow had a lead and developed an amazing support group around me. And here I was three years later having that same support group watching me out there on my own doing my thing and wanting to make them proud. I hope, no, think I succeeded. I don't usually make a point of making blatant, slushy acknowledgments but I did spend some of Saturday's show thinking how much I've grown as a person and an actor and there are three people who I really do owe a lot of it to (despite seeing them not often enough!).

I finally saw Alex for the first time in years on Saturday. Alex played my Mum in Batboy and we did get close. She was this amazingly glamorous belter with a string of amazing performances behind her. When I got ill during show week she was the one to make sure I was able to continue and look after me in this big scary world of theatre. I haven't seen her much since as she goes onto bigger and better things; now at the Royal Academy of Music. But the moment I saw her in the front row on Hair I just felt I had to make her proud and it was so nice to see her afterwards and just show her how much I've grown as a person.

I still see Seb as my pseudo-father despite his leaving Imperial to do his own environmentally thang. Seb came from the same sort of background as me; hadn't done much theatre before Imperial but had spent much of his time whilst there invested in the society and enjoying both the onstage and offstage fun. Despite going through a rough patch after last year's "A Funny Thing Happened On The Way To The Forum", Seb has always been the person I turn to for advice or just generally to moan at. He's been through the same sort of things as I have and is kind of like that big brother I never had. Seb and Alex always believed in me and I hope in some way that my performance in Hair showed them that their belief was well worth it.

And finally Dale, my original Gay Best Friend (although I don't think he really likes that title). Dale was my director in Batboy and general instigator of drunken fun (mainly consisting of my mentioning of Jason Robert Brown and him going absolutely crazy). I love Dale to pieces, he's one of those people who even after just seeing them you already miss them. He understands my obsession with theatre and we can share (and angrily debate) all things show-based. I always feel that he generally wants to see me and chat and is genuinely interested in what I have to say.

To all three of you, I love you all and we really should have some sort of self-indulgent Batboy reunion. Rob can come too.
Ok, I wasn't expecting all that gushing to come out just then but it did, and I'm glad. And so back to our topic- theatre etiquette

Alex, Seb and Dale weren't the only people to see Hair this week; after much nagging, members of my lab turned up on Friday. In some ways I wish they hadn't. Most of them were well behaved and really enjoyed the show but a few decided to get wasted beforehand and things got a little messy. Literally. The first I knew of Friday's antics was when the director came up to me at the interval and asked if the group at the back were my friends. I replied that they were probably my lab group and what had they done? I had already heard a overly loud amount of cheering after my song but put this down to them trying to make me feel happier. What I didn't know is they had to be told to be quiet by the director after talking through much of the act and that one of them had vomited over the back row. Nice.
The cast of Hair. Not vomitting.

I was mortified by their behaviour and, although they have apologised, I feel that people need to learn to have a bit of respect for the arts. What you do in a rugby match and what you do at a play are completely different things (although I think if I vomited over your pitch you wouldn't be too happy with me). I spend quite a lot of time on the boards at Broadwayworld.com although I post very little, and the subject of audience behaviour comes up fairly often. The standards of theatre behaviour really have gone down since I say my first show at the age of 5. Then, the theatre was still something exciting, for the elite, for the cultured. Now it is starting to become a tourist trap and little else. Lets take the old school rules of theatre and show you how they should be followed now shall we?
  • What to wear.
The incomparable Rob Felstead as Claude. This is the sad bit!

When I was a kid going to theatre meant going with mum to BHS to buy an entire new outfit because I wanted to show to Shane Richie and Sonia how trendy I was. Ok, this was my first show Grease and I seemed to think that the stars of the show would see me. I'm still that way though, unlike the theatre where you go in when it is dark and leave when it is dark you can actually see everyone around you for prolonged periods of time. I still see the theatre as something special and, just like when I got to a nice restaurant, I want to show those working at the theatre that I do appreciate where I am and the theatre isn't just somewhere to go after a few drinks. Fair enough, I'm not going to go in a full out ballgown like our contemporaries in the the earlier half of last century would. But I'm not going to turn up in what is effectively a long t-shirt (I kid you not, a girl wore that exact outfit to The 39 Steps- not even a pair of tights underneath!). If I am to go to the theatre, even on a comp seat, I'll dress to suit the show. For something a bit more contemporary, like Rent Remixed I'd go for a nice denim skirt/shirt combo. If its a grand show in a grand theatre, maybe a cute little dress. But I don't think I've worn jeans to a theatre, it just doesn't seem right. So, fair enough, Hair was a student show and thus what you wear doesn't particularly affect me but I would prefer if you didn't have that 'just out of the lab and I can't be arsed' look about you.
  • What to say
Frankly I don't care what you say before the show or during the interval. Although certain things do annoy me like talking about how much you are obsessed with this show and then getting really simple facts about it wrong. Trust me, I probably know more. I also don't appreciate people who won't take me seriously as a critic because I look like a 16 year old- I know a lot more than you think and probably more than your other critics. During the show you really shouldn't speak at all. It's a well known fact. In the olden days people appreciated the theatre as an artform and came to see a play, not sing/speak along with it. I don't mind the odd remark, I'm guilty of that but running commentaries are most definitely out. Especially if you are one of those people listed above. What is especially rude is if you aren't even talking about the show and are instead going about your everyday conversation as if you were in a cafe. The amazing thing is that we can hear everything as we are the well behaved people who keep quiet.
  • What you do
Our future choreographer James going slightly mental

This is the big one as it covers many a sin. Firstly mobiles and blackberries. I hate this enough when I'm in the cinema but at the theatre is just taking the piss. Fair enough I can't turn my phone off as it has some sort of strange problem where when I turn it back on it vibrates like mad and won't stop playing Defying Gravity. So I put it on silent and shove it far into my bag. And check it before the show. And check it at the interview. Not for messages but just to make sure its on silent.

Food. Yes I can be a cheapskate and sneak in my own food from time to time but I'll only eat it surreptitiously during the interval. If I'm not feeling to well I may extend this to having a mint to settle my stomach during the show. But why would you feel the need to start eating crisps and sweets during a show? You only have to wait just over an hour until the interval surely you can manage til then? (Unless you're a diabetic where it is perfectly fine and you are probably used to eating very quietly and understand how disruptive it could be)

Drinking. I know that some theatres will let you take your drinks into the auditorium but please don't leave it in the way for us all to trip over. The other peril is that you have to much drink and turn into my lab group. THIS IS NOT ACCEPTABLE THEATRE BEHAVIOUR. Amazingly we have also paid money to see the show and don't want to feel like we're back in the student union. I've seen many shows I don't like and instead of passing them by getting rat-assed I use my time constructively and critique the show in readiness for a post on this dear blog. You wouldn't get so drunk that you couldn't concentrate at a cinema, so why at a theatre when even the people in the story can see you? Especially when you pay so much money to go to the theatre, it's just a waste of a ticket that someone who longs to go but can't afford to could have used.

Yeah, it's me again

I'm not trying to be a killjoy but you wouldn't behave like this in an art gallery or a museum so why do we take such liberties with another artform? It is fine to enjoy the theatre and indulge in what you are seeing but it's when someone who obviously doesn't want to be there decides to ruin it for the rest of use that I get a bit pissed.
Rant over. Oh, and as there aren't many pictures you can use to illustrate theatre etiquette, I've peppered this piece with pics from our production of Hair (because I can) and maybe one from Batboy. Kudos to http://www.elysemarksphotography.com/.

Tuesday, 2 June 2009

Theatre Criticism- A Passion Or A Business?

Sexy time in The Viewing Room

Having just obtained press tickets for yet another night after opening night, I got a bit crabby about always being relegated to the not so impressive second night. Obviously it's because I only write for a lowly student newspaper (who happen to be the theatre goers of the future and haven't been hit too hard by the recession...yet) but I still get a peeved until I remember the time I did go to opening night.

It was a small play at the Arts Theatre called "The Viewing Room". the sole reason it had managed to get onto the West End was that it boasted the star power of Leonard Roberts, whom I had grown up watching in a bit part in Buffy the Vampire Slayer and had just finished playing DL in Heroes. The play itself was very good and very affecting, taking influences from the dystopian fictions of Orwell and Huxley and also contemporary sources such as Big Brother and the then current American Government. This was my first (and so far only) opening night and so was quite excited. When I got to the theatre it took the lady a while to find my ticket- not a good start, soon after I was hounded by some corporate type who was running some website recruiting students to run for the Mayor of London position. I fobbed him off with the editors telephone number and went to find my seat.

I was informed before the show that, being press, I would be able to obtain complementary drinks from the VIP room at the interval. I spent almost the entire interval trying to get in said room. Apparently I needed a press pass which was difficult as Felix don't issue press passes and so had to search for "Sally in the lobby" instead, how I was supposed to know who Sally was is beyond me. Whilst searching for the elusive Sally I spotted a lone figure in the lobby whom I recognised as George Takei here to support his Heroes costar. Obviously I wasn't the only person not allowed to enter the VIP room. When I did manage to make my way to the VIP room it was only to find they had stopped serving drinks and the show would soon be starting. Great. Now I was thirsty and needed the loo as I spent the entire interval trying to find bloody Sally.

When the play finished I had two options- go to the after show party or stay for the post-play discussion with the actors, director and a leading human rights barrister. I'm glad I chose the later option- the panellists were engaging and eloquent, the intimate setting was nice and we even had the plays author pop up from behind me to chime in with his answer.

Having a small infatuation with the world of celebrity I decided to pop up to the party post-discussion. Maybe it would be a good chance for networking or someone might take me under their wing. I climbed the rather steeps stairs to find some rather tacky decor and lots of rah-types proclaiming "Yah darling" and drinking glasses of wine. I finally went to the toilet and left.

I was left slightly disillusioned by the whole evening and put it down to old-school theatre lovies who weren't in the job for the love of theatre but to get as much free stuff as possible. This saddened me somewhat as, although it started out as a way of getting free tickets, I really do love the theatre and use my reviews as a way of getting more people interested in it. They just saw it as a business- "Yes, well I so soandso yesterday, this tomorrow and I was going to see this the day after but it didn't look very good so we sent the intern, haha!" It upset me that the professional critics could take an art form (that also happens to be many peoples livelihoods as well as their passion) and turn it into a jolly old fraud

A critic's opinion can make or break a show, make everyone involved rich or back on the dole, realise or ruin a dream and yet they treat as a joke. Its all rather sad really.

Wednesday, 7 January 2009

Reviews, Reviews, Reviews

In a quest for self-publicity I give you my portfolio of articles. This whole endeavour started for two rather selfish reasons: 1) To get free theatre tickets and 2) To prove to my sister that you don't need a Journalism degree to be a Journalist. but as my work has developed I've really started to enjoy writing, in fact I'd love to do it for a living (hint hint). I write for Felix, the paper of Imperial College and winner of last year's Student Newspaper of The Year. As this was the first year I'd written it'd be nice to think I helped in some way to get the award!
My first article, commissioned by my then flatmate as something to keep me busy before Uni started, was a critique/rant about how Andrew Lloyd Webber is stunting the growth of musical theatre. As you will come to discover I'm not a great fan the Lord. In the Spring term I embarked on a regular feature that I wanted to be titled "Musicals That Changed The World" but were given the name "Musical Theatre Weekly" by my other flatmate/arts editor. The editor himself seemed to like it and they were fun to write, I may repost them here with the original pictures and captions as they were much more fun then the ones that appeared in the paper.
Recently I conducted my first interview which was AWESOME! I was invited to the tech rehearsal of Imagine This and interview its producer Beth. This was a great introduction to interview theatre lovies as it really put me at ease, we just chatted for 2 hours whilst the actors rehearsed in front of us. I was heaven. Having read the article that The Guardian did about Imagine This I think mine was better.

So here's the links, you'll have to scroll through the pages to get to my articles. You'll be able to recognise them because a) They tend to be rather long and b) They'll be the articles about theatre (yes, I do straight plays too)

The Great British Musical- Andrew Lloyd Webber Stunts the Growth of Musical Theatre, pg 14

More Sex and Drugs, Less Rock and Roll- Rent Remixed, page 19

A Nice Warming Musical For Winter- John&Jen

Is This Really What Theatre is Like?- Tate Modern (See, I do galleries too. But I didn't like it)

Attention- For You Eyes Only- The Viewing Room page 18 (That little upset about varsity in the comments section? I might have had something to do with that too...)

That Face aka Why Alcohol Is Bad

Moral of Story: Sex With Nazis Never Works Out Well- Marguerite" page 12

From here on in, you'll have to do with html, badly formatted versions. Not my fault. Its also a big shame as the Imagine This feature (three articles to follow) had a really good double page centre spread layout (kudos to the editor)
Live From Bosnia and Herzegovina- Eurobeat

Imagine This- Interview with Beth Trachtenburg.
Imagine This- Preview
Imagine This- Cultural History of the Warsaw Ghetto

Alas, the actual review of Imagine This hasn't been put up yet.

I'll post the Musical Theatre Weeklys up later as I think they work better in a blog setting.